Globe Close, Dumfries
- Image Rights Holder:
- Dumfries & Galloway Museums Service
- :Future Museum
- width: 116 mm, length: 178 mm
- J Rogers (Engraver)
- 19th Century
- Baldwin, Gordon “Looking at Photographs - A Guide to Technical Terms”. London: British Museum Publications Limited, 1991; Burns, Robert “The Complete Letters of Robert Burns”, Ed. James A Mackay. Ayr: Alloway Publishing Limited, 1987; Burns, Robert “The Complete Poetical Work of Robert Burns 1759 – 1796”, Ed. Dr James A Mackay. Ayr: Alloway Publishing Limited, 1993; Burns, Robert “The Letters of Robert Burns”, 2 vols., Ed. J de Lancey Ferguson and G Ross Roy. Oxford: Clarendon, 1985; Burns, Robert “The Poems and Songs of Robert Burns”, 3 vols., Ed. James Kinsley. Oxford: Clarendon, 1968; Crawford, Robert “The Bard – Robert Burns, a Biography”. London: Jonathan Cape, 2009; Dumfries and Galloway Courier “Interesting Sale – The effects left by the late Mrs Burns at the sale on Thursday and Friday last …”. Dumfries: 16 April 1834; Dumfries and Galloway Standard and Advertiser “Relics of Burns, As Collected By The Secretary Of The Burns Statue Fund Exhibition At The Bazaar, On The 14th, 15th And 16th Sept.”. Dumfries: 11 September 1880; Dumfries Burns Club “Minute Book of the Burns Club at Dumfries – 17th January 1820 No.1”. Dumfries Museum Collection DUMFM:0198.422: Manuscript copy, on display at Robert Burns House, Dumfries; Gibson, James “The Bibliography of Robert Burns, with Biographical and Bibliographical Notes and Sketches of Burns Clubs, Monuments and Statues”. Kilmarnock: James M’Kie, 1881; Gilfillan, Reverend George (editor) “The National Burns”. Glasgow, Edinburgh and London: William Mackenzie, 1878; Goldman, Paul “Looking at Prints, Drawings and Watercolours - A Guide to Technical Terms”. London: British Museum Publications Limited, 1988; Grose, Francis “The Antiquities of Scotland”. London: S Hooper, 1789; Hogg, Patrick Scott “Robert Burns – The Patriot Bard”. Edinburgh: Mainstream, 2008; Lindsay, Maurice “Robert Burns – The Man, his Work, the Legend”. New York and London: Robert Hale and St Martin’s Press, 1979; Lindsay, Maurice “The Burns Encyclopaedia”, 3rd edition. London and New York: Robert Hale and St Martin’s Press, 1980; Lockwood, David “Celebrate the Legend – Discover Robert Burns in Dumfries and Galloway”. Dumfries: Dumfries and Galloway Council, 2009; Mackay, James A “Burns-Lore of Dumfries and Galloway”. Ayr: Alloway Publishing Limited, 1988; Mackay, James “Burnsiana”. Ayr: Alloway Publishing Limited, 1988; Mackay, James “A Biography of Robert Burns”. Edinburgh: Mainstream, 1992; McDowall, William “History of the Burgh of Dumfries, with Notices of Nithsdale, Annandale and the Western Border”, 4th edition. Dumfries: T C Farries and Company Limited, 1986; McIntyre, Ian “Dirt & Deity – A Life of Robert Burns”. London: HarperCollins, 1995; “Memorial Catalogue of the Burns Exhibition held in the Galleries of the Royal Glasgow Institute of the Fine Arts, 1896”. Glasgow: William Hodge and Company, 1898; Skinner, Basil “Burns: Authentic Likenesses”, 2nd edition. Ayr: Alloway Publishing, 1990; Smith, Graham “Robert Burns the Exciseman”. Ayr: Alloway Publishing, 1989; Town Council of the Royal Burgh of Dumfries (Issued) “Catalogue of Exhibits with Official Handbook of Burns’ House Dumfries and other memories of the National Poet”. Dumfries: Robert Dinwiddie, 1944; Welsh, Alex (Edited) “Handbook of the Dumfries Burns Club”. Dumfries: Robert Dinwiddie, 1955; Westwood, Peter J “Genealogical Charts of the Family of Robert Burns and Descending Families”. Kilmarnock: The Burns Federation, 1997; Westwood, Peter J “Jean Armour Mrs Robert Burns – An Illustrated Biography”. Dumfries: Creedon Publications, 1996; Westwood, Peter J (Edited) “Jean Armour My Life and Times with Robert Burns”. Dumfries: Creedon Publications, 2001; Westwood, Peter J (Edited) “The Definitive Illustrated Companion to Robert Burns”, 8 vols. : National Burns Collection Partnership, 2004; Westwood, Peter J “The Deltiology of Robert Burns”. Dumfries: Creedon Publications, 1994; Wilson, Professor and Chambers, Robert “Land of Burns, a series of landscapes and portraits”. Glasgow and London: Blackie and Son, 1846; Wood, J Maxwell “Robert Burns and the Riddell Family”. Dumfries: Robert Dinwiddie, 1922
A hand coloured steel plate engraving from a painting by William Henry Bartlett of the Robert Burns' favourite inn in the town of Dumfries.
When Robert Burns came to live in Dumfries in 1791, the Globe Inn was one of the more fashionable public houses of the town. The landlords at that time were the Hyslop family and Burns soon became a regular customer, mentioning them by name in several poems and letters. In the upstairs bedroom two small window panes still bear inscriptions by the poet, whilst other poems connected with the inn are, "At the Globe Tavern" and "Lines Written on Windows of the Globe Tavern". The Hyslop family obviously were tolerant of this vandalism by their literary guest!
As the reputation of the Globe Inn as Burn's "howff" in Dumfries grew, it became an attraction for those visiting Burns' haunts in and around the town. In the 1940s it was purchased by M H McKerrow who was President of the Burns Federation and a life long Burns enthusiast in order to preserve its associations with the poet.
This view of the Globe Inn has been hand coloured, most probably sometime in the 20th century after having been removed from a topographical book published in the mid 1880s. At this time the development of steel plate engraving made it possible for images to be reproduced in much greater numbers than previous printing technology had allowed. Engravings of works by eminent artists became popular, although they were still expensive and beyond the pocket of most people.